Rheinbrückenauffahrt

Unfortunately, we now know very little about the artist Eugen Knaus. Born in Mannheim around 1900, he spent his early years in the self-study of painting. Knaus achieved renown with his works described as »Beschauliche Sachlichkeit« (Contemplative Objectivity) – named after the group exhibition of the same name presented at the Kunsthalle Mannheim in 1933 under the then director, Gustav Hartlaub (1884–1963). To this day, a number of the artist’s graphic works and paintings—mainly portraits, still lifes, and city views—can be found in the museum’s collection. They provide an exemplary insight into the regional manifestations and development of New Objectivity in Germany. The painting »Rhine Bridge Approach« shows a view of the historical Mannheim rail and road bridge from the late 1920s. It is characterized by a clear formal language and muted colors, in accordance with New Objectivity’s sober treatment of reality. Knaus selected a motif he was familiar with, yet the peaceful landscape of his home city appears threatened by dark, gathering clouds. A premonition?